Sunday, 17 March 2013
Wednesday, 13 March 2013
Tuesday, 12 March 2013
Friday, 8 March 2013
Question 3
What kind of media institution might distribute your media product and why?
The genre that we decided to put our film under is a psychological thriller. Psychological thrillers mainly focus on the unstable mentality of characters with a protagonist who the audience can focus on, relate to, and also empathise. Mixed with this, aspects of mystery and of course thriller are included. These type of films often try to make you have a different outlook on things and really make you think.
We decided that the distributor of our film should be Vertigo Films. This is because they are an independent company who have gone very far in the decade that they have been running. Furthermore, some of their films such as ‘It’s all Gone Pete Tong’, ‘Bronson’ and ‘The Football Factory’ are all dark in some way or another as well as really getting you thinking. The studio is based in London, consequently making it ideal for when our product is being distributed as our main audience will be within the United Kingdom. It would also be realistic as they’ve distributed low-budgeted films such as ‘It’s All Gone Pete Tong’. This is beneficial for us as we are currently a small production company who are about to debut our first independent film. Within the film industry, Vertigo films has recently exploded by distributing huge films such as ‘StreetDance 2’ (2012), the sequel to the chart-topping Brit film ‘StreetDance’.
Our production company is called Thrillseekers Productions. We chose this as it suits with our genre as well as seeming original. Our name is also an obvious clue to what our films will be about, giving our target audience a clear reason to watch them.
The genre that we decided to put our film under is a psychological thriller. Psychological thrillers mainly focus on the unstable mentality of characters with a protagonist who the audience can focus on, relate to, and also empathise. Mixed with this, aspects of mystery and of course thriller are included. These type of films often try to make you have a different outlook on things and really make you think.
We decided that the distributor of our film should be Vertigo Films. This is because they are an independent company who have gone very far in the decade that they have been running. Furthermore, some of their films such as ‘It’s all Gone Pete Tong’, ‘Bronson’ and ‘The Football Factory’ are all dark in some way or another as well as really getting you thinking. The studio is based in London, consequently making it ideal for when our product is being distributed as our main audience will be within the United Kingdom. It would also be realistic as they’ve distributed low-budgeted films such as ‘It’s All Gone Pete Tong’. This is beneficial for us as we are currently a small production company who are about to debut our first independent film. Within the film industry, Vertigo films has recently exploded by distributing huge films such as ‘StreetDance 2’ (2012), the sequel to the chart-topping Brit film ‘StreetDance’.
Our production company is called Thrillseekers Productions. We chose this as it suits with our genre as well as seeming original. Our name is also an obvious clue to what our films will be about, giving our target audience a clear reason to watch them.
Thursday, 7 March 2013
Tuesday, 5 March 2013
Feedback
Things we need to change:
- We found that some of the clips could be shortened, the bath plug and the shot of him getting out the bath.
- The shot of Sterling at the end sitting on the coach needs to be slightly longer so that we get to see Sterling's feet and the edge of the coach.This is because otherwise he looks too inclosed and cramped in the little space we get to see.
- The font style needs to be changed as you cannot read some of the words well as the font characters look like different letters.
- We also need to change the music as the speed and tempo is too repetitive. We could add lower tones to create a more tense atmosphere.
- One last thing we need to look at is finding a different production company that suits our film and genre. We also need to check that the titles are in the correct order. ( Production x2 )
- We found that some of the clips could be shortened, the bath plug and the shot of him getting out the bath.
- The shot of Sterling at the end sitting on the coach needs to be slightly longer so that we get to see Sterling's feet and the edge of the coach.This is because otherwise he looks too inclosed and cramped in the little space we get to see.
- The font style needs to be changed as you cannot read some of the words well as the font characters look like different letters.
- We also need to change the music as the speed and tempo is too repetitive. We could add lower tones to create a more tense atmosphere.
- One last thing we need to look at is finding a different production company that suits our film and genre. We also need to check that the titles are in the correct order. ( Production x2 )
Monday, 4 March 2013
Question 1
1) In what ways does your media product use, develop or
challenge forms and conventions of real media products?
Within our film we developed numerous conventions as well as
occasionally contrasting them too.
Firstly, we ensured that our film looked professional and
naturalistic by following the conventions of the order of the titles.
Titles are essential for an opening sequence as it gives the audience
a little bit of background detail on the production of the film they
are about to watch.
Also, the layout, names and background of the
production/distribution companies often set a mood for the film. We
ensured that this was the case for our film by creating a production
company called ‘Thrillseekers Productions’ which clearly integrates
with the psychological thriller genre that we decided to be the
category we’d put our film under. The titles are written in a sans-serif
font, which challenges the usual serious tone, which is found in
thrillers. However, the font we used is unique and has quite a
scratchy sort of sense to it as if written in a rush, which could possibly
imply panic and fright, which are occurring moods within our film.
We decided to put the titles over the first few shots of the film so
that they could intercept the mood we were trying to portray whilst
acknowledging the titles. Our shots had graphic matches of smoke
and metaphoric symbolisation of isolation. We did this because
smoke connotes emotions such as isolation as well as panic, fear
and eeriness. By doing so, we clearly portrayed an establishing
To add to this, we also added music containing extremely high
and low pitch synth sounds to keep the audience on edge as well
as ensuring that the film looked and sounded even more
professional. We decided to make our soundtrack from scratch so
that it’d suit our film perfectly and frighten the audience at the right
time. This exaggerated the mood even more to ensure that it came
across to the audience. By using these specific sounds to create a
build-up of tension, we developed another convention found in
thrillers.
Within the thriller genre, there are often aesthetic conventions
found too. For instance, there is usually a female protagonist. This is
because women are stereotypically known for being vulnerable
and weak whilst a male villain creates the disequilibrium within the
film. Refreshingly, we decided to make the protagonist who faces
life-threatening problems within the film male and to cast the
hallucinogenic villain within the film a female. This sticks with the
conventions of having a distressed protagonist, but contrasts the
Opening sequences also the convention of giving the audience
an equilibrium so it can set the scene so that the audience know
what is the norm within the specific scenario. Films then carry on
with a disequilibrium followed by a new equilibrium. We opposed
this convention by containing all three within our opening sequence
as well as following it up with another disequilibrium. This is shown
within our opening sequence by seeing our protagonist take a bath
(an equilibrium), have blood drip on his head whilst in the bath
(disequilibrium) followed by him running out of the bath to take pills
so that everything is back to normal (a new equilibrium). This is then
followed by a hallucination that has come to life and risen out of
the bath after him (another disequilibrium). This creates a cliffhanger
effect ensuring that the audience will want to carry on watching
after the opening sequence. Although this contrasts with the normal
convention of giving the audience an equilibrium, it follows another
which is leaving the audience with questions.
Low key lighting is another convention within our genre that is
used to hide visual elements causing the audience to ask questions.
We opposed this convention by using high key lighting. This is used
so that we can shock the audience as we are not trying to hide
anything and this will consequently frighten them even more. It is
also an effective contradiction to the smoke theme shown at the
beginning of our opening sequence.
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